Ovid Metamorphoses Apollo and Daphne summary

Metamorphoses - Apollo and Daphne Summary Book Report

Ovid characterizes Apollo as a god of foolish and ineffectual passions. The son of Jupiter and the god of the sun, Apollo is a hothead. His strong emotions often get the best of him, making him look and act foolish. In Book I, his lust for Daphne leads him to caress and kiss her—even after she has been turned into a tree Soon after, Apollo taunts Cupid who takes revenge by making Apollo fall in love with Daphne, Peneus 's daughter. Daphne wishes to remain chaste, like Diana, and loves the woods and hunting rather than men. Nonetheless, Apollo chases Daphne through the woods. As she approaches the streams of her father's land, she begs to lose her beauty

Notes on Book 1: Apollo and Daphne from Metamorphose

Daphne's transformation into a tree is tragic, but there is something amusing about the stolid, unmoving form her father gives her—and something downright comical about the image of Apollo copping a feel of her bark. Jupiter's taste for extramarital affairs is also amusing Metamorphoses is a Latin narrative poem by Ovid that was first published in 8 AD. Summary Read a Plot Overview of the entire book or a chapter by chapter Summary and Analysis Cupid nails Apollo with the golden arrow of love, and shoots a nymph named Daphne with the arrow tipped with lead. Instantly, Apollo falls in love with Daphne, but she finds the idea of loving anybody totally gross Ovid's long poem Metamorphoses, written in Ancient Rome in 8 AD, tells the story of the creation of the world to the eighth century, with a central theme revolving around gods, mythology, and metamorphosis, or the transformation of characters from one being into another

In Ovid's Metamorphoses, Book I: Apollo and Daphne, Ovid uses animals to make the emotions of characters more relatable to the reader. Ovid characterizes Apollo's pursuit for Daphne as more animalistic than human, and creates the metaphor of a predator and its prey to show the connection between the two The story of Apollo and Daphne is one of the most famous in Metamorphoses. It demonstrates many of the elements that recur in the poem's other tales of transformation. The story arises from a petty feud between Cupid and Apollo and perfectly illustrates the theme of power and revenge Metamorphoses is often called a mock-epic, as it is written in dactylic hexameter (the form of the great epic poems of the ancient tradition, such as The Iliad, The Odyssey and The Aeneid), unlike Ovid's other works. But, rather than following and extolling the deeds of a great hero like the traditional epics, Ovid's work leaps from story to story, often with little.

1-Page Summary of Metamorphoses. The author begins by addressing the gods and asking them to bless his undertaking. He then starts telling a story about how everything was created out of chaos, and how mankind progressed from the golden age to the silver age to the iron age. In this passage, Ovid describes the story of Daphne and Apollo. He. Daphne, the début novel from Will Boast, aims to recast the myth of Daphne and Apollo, told in Ovid's Metamorphoses, from Daphne's point of view—a project for the #MeToo era if there. The tale of Daphne and Apollo, like so many stories in the Metamorphoses, is classified as an aetiological myth; that is, a narrative that explains an origin. But, as the excerpt above testifies. Many of the most familiar classical myths, including the stories of Apollo and Daphne and Pyramus and Thisbe, come directly from Ovid. The Metamorphoses is a twelve-thousand-line poem, written in dactylic hexameters and arranged loosely in chronological order from the beginning of the universe's creation to the Augustan Rome of Ovid's own time

To get revenge on Apollo for ridiculing him, Cupid makes him fall in love with Daphne but makes Daphne unable to love Apollo. As Apollo chases her through the forest, Daphne begs her father, the river god Peneus, for help and he turns her into a laurel tree Daphne. The daughter of Peneus. Daphne is transformed into a laurel tree as Apollo seeks to rape her. Echo. A nymph. Juno punishes Echo, making her unable to speak except to repeat the words of others. Echo loves Narcissus. Galatea. A nymph. Galatea loves Acis. Polyphemus loves Galatea. Circe. A magician. Circe is the daughter of the Sun and. Complete summary of Ovid's Metamorphoses. eNotes plot summaries cover all the significant action of Metamorphoses. unfaithful, vengeful. In fact, the story of Apollo and Daphne stems from the. With the second he transfixed Peneus's daughter, but with the first he wounded Apollo piercing him to the marrow of his bones. Bk I: 473-503 Phoebus pursues Daphne Now the one loved, and the other fled from love's name, taking delight in the depths of the woods, and the skins of the wild beasts she caught, emulating virgin Phoebe , a.

The Metamorphoses of Ovid Summary - eNotes

  1. The loss of speech, a frequent byproduct of metamorphosis, stands for the loss of identity and life. In Ovid's poem, to speak is to be alive and to create one's reality. Characters like Orpheus and Ulysses survive and triumph solely because of their powers of rhetoric. When characters are transformed and can no longer speak, they are often.
  2. Start your 48-hour free trial to unlock this The Metamorphoses of Ovid study guide. You'll get access to all of the The Metamorphoses of Ovid content, as well as access to more than 30,000.
  3. The Metamorphoses The Metamorphoses is Ovid's longest extant work, a continuous epic poem in fifteen books, consisting of nearly 12,000 lines. Based on the poetry of Hesiod (Works and Days, and Theogony) and Callimachus (Aetia), the Metamorphoses features a collection separate stories linked by the common theme of transformation
  4. Learn ovid metamorphoses apollo with free interactive flashcards. Choose from 500 different sets of ovid metamorphoses apollo flashcards on Quizlet
  5. The publication of Metamorphoses solidifies Ovid's position as a transformer of classic tales in the canon of world literature, as the text includes many familiar stories retold in a totally unfamiliar way. One such story is that of Apollo and Daphne, the god of truth and the water nymph. Ovid's Apollo and Daphne embodies the.
  6. The sculpture Apollo and Daphne, created by Gian Lorenzo Bernini, is based off a story from Book 1 of Ovid's Metamorphoses. It is a portrayal of when Daphne is turned into a tree when trying to escape Apollo after they were both shot with an arrow by Eros

Metamorphoses Summary GradeSave

  1. g passion. The sun god, blinded by passion, falls in love with a nymph. Daphne does not want to become the subject of his lust and quickly runs away
  2. 75613 Metamorphoses — Daphne and Apollo Ovid. English Translation. Original Latin. Daphne, daughter of Peneus, was Apollo's first love, which. not blind chance, but Cupid's savage anger, gave. Apollo, arrogant at the serpent having been conquered, had recently seen this one bending his bow with string pulled taut
  3. In Ovid's Metamorphoses, the myth of Io and Argus immediately follows the tale of Daphne's pursuit by Apollo and her transformation into a laurel tree. It includes, as a story within a story, the tale of Syrinx's pursuit by Pan, and her subsequent change into the reeds from which his pan-pipes were fashioned

Start studying Ovid, Metamorphoses: Apollo and Daphne. Learn vocabulary, terms, and more with flashcards, games, and other study tools View Metamorphoses Summary.docx from HUM 105 at University of the Fraser Valley. Metamorphoses Summary At the beginning of the poem, Ovid addresses the gods and asks them to bless hi

Apollo and Daphne is a life-sized Baroque marble sculpture by Italian artist Gian Lorenzo Bernini, executed between 1622 and 1625. Housed in the Galleria Borghese in Rome, the work depicts the climax of the story of Apollo and Daphne ( Phoebus and Daphne ) in Ovid 's Metamorphoses Free Book 9: Hercules, Nessus, and Deianira summary of Metamorphoses by Ovid. Get a detailed summary and analysis of every chapter in the book from BookRags.com View Essay - Ovid's Metamorphoses.docx from COLT 101 at University of Southern California. Readings Book 1: Apollo and Daphne (450 - 600) Book 3: Diana and Actaeon (150 - 270) Book 3: Echo an The general significance of Ovid's Apollo-Daphne (Met. 1. 452 ff.) within its immediate context seems plain enough. Ovid's technique, as Otis remarks, is to set epic pretensions beside elegiac behaviour and thus to show a struggle between incompatible styles of life and poetry.' Yet the episode still poses certai

Video: Metamorphoses Book I Summary & Analysis SparkNote

Daphne is the daughter of a river god and wants to remain a virgin, but when Cupid shoots his nasty arrow, she becomes the first love of Apollo (although love here is characterized by burning, fire, aflame, consumed). How reverent is Ovid in his portrait of Apollo? Daphne flees him while he pursues, reciting his resume (16) Summary . The collection of stories which comprise Ovid's Metamorphoses offer an encylopedic array of Greek, Roman, and local legends. Arranged around the concept of change, this narrative poem explores the nature of divinity and humanity alike, as well as interaction between the two A summary of Part X (Section1) in Ovid's Metamorphoses. Learn exactly Apollo pleads and persists, and Daphne cries out to her father for help Metamorphoses Book 1: Io. Io, daughter of the river Inachus, caught Jove's eye one day as she was returning from her father's stream.When Jove descended to possess her, she ran into the forest. Although he told her who he was, she wouldn't stop running, so he covered the earth in darkness so that she wouldn't be able to run away from him Bernini's Apollo and Daphne or centuries Ovid's Metamorphoses, the most complete and enchanting surviving guide to ancient myth, has offered challenging themes to patrons, painters, and sculptors. It has long been recognized that the Italian Baroque sculptor Gianlorenzo Bernini (1598-1680) was among the artists most profoundly inspired by the.

Apollo Character Analysis in Metamorphoses SparkNote

Metamorphoses Book 10: Cyparissus. Cyparissus, one of Apollo's mortal favorites, accidentally killed a sacred stag one day. His feelings of guilt made him beg for death, and so Apollo made him a cypress tree. He was among the trees that Orpheus charmed. More summaries and resources for teaching or studying Metamorphoses Ovid's Metamorphoses Character Analysis 1407 Words | 6 Pages. or to protect. Ovid distinguishes among purposes through his word choice. In the myths of Metamorphoses, Ovid's uses the descriptions of transformations in Daphne, Arachne, and Tereus, Procne, and Philomela, and the character's new form to imply the purpose of the transformations 7/23/2019 SparkNotes: Metamorphoses: Book I 1/5 METAMORPHOSES SUMMARY by: Ovid 1 2 Book I Summary Ovid begins the Metamorphoses by invoking the gods. He asks them to inspire his work, which opens with the creation of the world and continues on to the present day, and is about the transformation of bodies. After this short prayer, Ovid describes the birth of the world Ovid's Metamorphoses opens in Book 1 with an erotic pastoral scene between Apollo and Daphne. This twin narrative of pursuit and of resistance appears through both masculine and feminine perspectives simultaneously. Daphne's transformation into

Unrequited Love in Ovid's Apollo and Daphne Dina Rabie College Metamorphoses Daphne, the daughter of the river god / Peneus, was the first love of Apollo (Ovid 1032). Thus begins Ovid's recitation of the famous story of Apollo and Daphne in Book I of his 8 A.D. collection of stories, Metamorphoses, his most celebrated.. Summary of. Metamorphoses. Metamorphoses is a collection of myths that is made up of 15 books. Each books tells a few different stories. Metamorphoses begins with Ovid praying to the gods, asking them to bless his undertaking on writing his poem. He then describes how the universe was created out of chaos

Metamorphoses Book I - Book II Summary and Analysis

'Ovid, Metamorphoses 1,455ff: Apollo, Daphne, and the Pythian Crown', ZPE 112 (1996), 69- 73, references the lines of the Alexipharmaca descriptive of laurel (198-200) and its mention of one variety as the first plant to garland the Delphian locks of Apollo as potentially inspirationa Throughout the Metamorphoses, Ovid uses physical transformation to reflect one's inability to direct fate when overrun with passions. Fate plays a huge role in the stories of relationships between mortals and the gods in Ovid's Metamorphoses. Blinding passion, or just ill-fortune lead mortals to restrict themselves to the paths of fate

Ovid. Publius Ovidius Naso (43 B.C. Sulmo - 17 A.D. Tomis) was the best Roman poet that was born in a prestigious family. He spent most of his life in Rome where he remained until 2 A.C. when he was exiled to the Black Sea Apollo[2], arrogant at the serpent having been conquered, had recently seen this one bending his bow with string pulled taut Apollo & Daphne Ovid, Metamorphoses I.452-567 A Student Text with Commentary by Sarah Ellery Apollo and Daphne Cover photo Ovid, more than any 1 2 McGowan 51

Metamorphoses: Study Guide SparkNote

  1. ist qualities of the goddesses and female characters
  2. In Metamorphoses the gods interact with humans on a personal level, not historical level. Io is raped by Jove and then turned into a cow, because Jove has lust. Apollo chases Daphne because he loves her, but this is not important to the outcome of a war, as in The Iliad, or the establishment of a new kingdom, as in The Aeneid
  3. Classical Texts Library >> Ovid, Metamorphoses >> Book 10 OVID, METAMORPHOSES 10. METAMORPHOSES CONTENTS. BOOK 1. 1. Creation 2. Four Ages of Man 3. Lycaon 4. Great Deluge 5. Python 6. Daphne & Apollo 7. Io & Jupiter. BOOK 2. 1. Phaethon 2. Callisto & Jupiter 3. Coronis & Apollo 4. Ocyroe & Aesculapius 5. Battus & Mercury 6. Aglauros & Mercury.
  4. At the end of the last myth concerning the flood, Apollo killed Python, the monster, with his bow and arrows. Ovid uses this, and his lines about the Pythian Games, to lead into the next myth, which centres on Apollo and Daphne. The Story. Of the gods whose love affairs Ovid describes, Apollo seems the least successful
  5. ant subject of the Metamorphoses was influenced by the predisposition of Alexandrian poetry. However
  6. Ovid, Metamorphoses III WJEC text Cambridge Latin Anthology 356-361 Section A: Latin Lines 1-6 362-369 Section B: English trans. omitted 370-378 Section C: Latin Lines 7-15 379-392 Section D: Latin Lines 16-29 393-401 Section E: Latin Lines 30-38 402-406 Section F: English trans. summary 407-412 Section G: English trans. summary
  7. An Analysis Of Ovid's Metamorphoses. 817 Words 4 Pages. Show More. Ovid was one of the most notable Roman poets. His intellectual capability was far superior in comparison to others. Ovid's unique intelligence is partially due to his father's demands and support for him to become a lawyer. Ovid's most famous work was Metamorphoses, a.

Apollo and Daphne Summary Shmoo

  1. g theme of the text. But, Metamorphoses is also a compilation of myths, some complimentary and some almost contradictory, that were well-known in Ovid's society. Indeed, one might compare Metamorphoses to a modern-day collection of fables, though fables often have clear morals or meanings, which cannot be said of Ovid's.
  2. Orpheus and Eurydice, Attis and Cybele, Cyparissus, Hyacinthus and Apollo, The Propoetides, Pygmalion, Myrrha and Cinyras, Atalanta and Hippomenes, Adonis. BOOK 11 Death of Orpheus, Midas and Bacchus, Midas, Pan and Apollo, Peleus and Thetis, Chione and Daedalion, Peleus and Psamathe, Ceyx and Halcyone, Aesacus and Hesperië. BOOK 1
  3. ovid metamorphoses humanities Flashcards. Narcissus and Echo (Just a summary to h. Minotaur (Just a summary to help- will. Daedalus and Icarus (Just a summary to. The Death of Achilles (Just a summary t. The first person to seek Tiresias was a water nymph asking abo. While King Minos was away his wife was unfaithful and the prod
  4. However, Nicander has also been identified as a possible source of inspiration for some of the connective textual material between the death of the Python and the beginning of the Apollo and Daphne narrative: Hollis, A. S., ' Ovid, Metamorphoses 1,455ff: Apollo, Daphne, and the Pythian Crown ', ZPE 112 (1996), 69 - 73 Google Scholar.
  5. This action caused Apollo to attempt to rape Daphne, even if the attempt fails as Daphne's father turns her into a tree before anything happens. One is in love now, and the other one won't hear of it (The Metamorphoses: Book 1, 657-658)
  6. Book 1. Ovid asks the gods for help in singing a song about metamorphoses, starting at the beginning of the world and carrying through to the present day. Then Ovid starts telling us about the beginning of the world. In the beginning, everything was a total mess. Then some god (we aren't told who) came along and put everything in order

Furthermore, as the narrative of the Metamorphoses progresses from Apollo slaying the Python with his arrows to the Cupid and Daphne episodes, his bow in fact disappears: Apollo goes from deus arcitenens at 441 to a divine elegiac amator whose bow goes unmentioned.²¹ Indeed, although Apollo boasts to Cupid of his prowess in archery (1.458. This showcase's one of Ovid's main points throughout the Metamorphoses, that love can be manipulated. Here, Cupid evidently has power over Apollo, one of the twelve major gods. Apollo, as the god of archery, mocks Cupid for being a little boy with a teeny bow. Apollo soon regrets his mockery and admits that Cupid is the ultimate power Ovid's Metamorphoses is a Latin reader designed to partner existing elementary Latin textbooks. The book features thirty compelling stories, graduated in difficulty and adapted from Ovid's epic Metamorphoses into prose. The original poem contains many different stories united thematically by the transformation which occurs in all of them; the epic features romance, seduction, humour. Ovid; Crossover; Summary. Tentatively subtitled Hawkis and Fenlemon. A tale and a translation from Ovid's Metamorphoses: the myth of Baucis and Philemon in the persons of Hawke and Fenris, in their retirement. Language: English Words: 1,798 Chapters: 1/1 Comments: 2 Kudos: 12 Bookmarks: 1 Hits: 24

Metamorphoses Summary SuperSummar

  1. It's an oldie but a goodie. The Greek myth of Apollo and Daphne has been told and retold for thousands of years. The Roman poet Ovid's version, which is included in his Metamorphoses, is probabl..
  2. Apollo (Hellenistic Religion & Lore) Daphne (Greek and Roman Mythology) Daedalus (Hellenistic Religion & Lore) Icarus (Hellenistic Religion & Lore) Summary. It was the music that first drew you to him. Sweet strains of a lyre, melodies he pulled from the air just for you
  3. g and expert English version, which is right in tone for the Metamorphoses..
  4. Mythology. Apollo and Hyacinth (1675), by Annibale Carracci. In Greek mythology, Hyacinth was a very beautiful Spartan prince and lover of the god Apollo. Hyacinth was also admired by the God of the West wind Zephyrus, the God of the North wind Boreas and a mortal man named Thamyris. But Hyacinth chose Apollo over the others
  5. Hearing her cries for help, Peneus quickly transformed Daphne into a laurel tree. Seeing the havoc he caused, little Cupid hides behind Daphne's white robes. Apollo reached the tree and, still enamored with Daphne, he mourned, as Ovid wrote in the Metamorphoses: Fairest of maidens, you are lost to me. But at least you shall be my tree
  6. g passion. The sun god, blinded by passion, falls in love with a nymph. Daphne does not want to become the subject of his lust and quickly runs away
  7. Ovid's Metamorphoses expanded upon this topic. Ovid intended to speak of forms changed into new entities and, very often, those entities came from the natural world. Emblematic is the anecdote of Daphne e Apollo: the god, fated by Cupid's love-arrow, sees Daphne, who flees him because she's been fated by Cupid's love-repelling arrow and.

Apollo and Daphne - Wikipedi

Metamorphoses of OVID A NEW VERSE TRANSLATION BY Allen Mandelbaum A Harvest Book Harcourt Brace & Company . PYTHON APOLLO & DAPHNE APOLLO & DAPHNE And when, still muddy from the flood, the earth had dried beneath the sunlight's clement warmth, she brought forth countless living forms: while som Daphne. Ovid tells this story. Daphne is an independent young nymph who scorns marriage and loves hunting. Apollo falls in love with her and she runs away from him. Apollo pursues her relentlessly, and the panicked Daphne calls out for help to her father, the river god Pentheus, as she approaches his river. Pentheus transforms Daphne into a. The myth of Apollo and Daphne, as told in Ovid's Metamorphoses, is viewed through the self‐referential eye of the seicento painter, Nicolas Poussin. Collectively, the tree‐metaphoric myths are argued to metaphorically represent, mourn, and negate unbearable realities, including the developmental challenges of adolescence and adulthood - in particular, loss. Examined in the context of. Metamorphoses Book 2: The Raven and The Crow. The raven was once a white bird, but his tongue was his undoing. The story is that Coronis was Phoebus' love, but the raven discovered that she was unfaithful to the sun god. As he was winging his way to tell Phoebus the bad news, the crow warned that he might be better off keeping his beak shut. The crow had been in a similar situation with Athene.

Metamorphoses Book 1 Summary Course Her

The origins of the mythic animal's name are in dispute, but Homer* says that it came from the way his body rotted after being slain by Apollo (pythein is Greek for to rot - Hymn to Apollo ll. 372-4). Ovid actually leaves out the whole business of rotting The story of Apollo and Daphne begins at the verse n. 452 of Metamorphoses; while Miller translated the entire story, Zheng Zhengduo omitted the first two lines: v. 452 Now the first love of Phoebus was Daphne, daughter of Peneus, the river-god


Ovid, Metamorphoses 5. 462 ff (trans. Melville) (Roman epic C1st B.C. to C1st A.D.) : The land [of Sicily] quakes [as Typhoeus the Giant buried beneath the island heaves] and even Rex Silentum (the king who rules the land of silence) [Pluto-Haides] shudders lest the ground in gaping seams should open and the day stream down and terrify the. Selections from Ovid's Metamorphoses (Beta editions) Commentary: Ovid's Daphne and Apollo (I.452-567) (beta ed. Jul. 2021) Translation Sheets: Daphne & Apollo: pdf and doc formats (beta ed. Jul 2017) Commentary: Ovid's Icarus and Daedalus (VIII.183-235) (beta ed., Aug 2019) Translation Sheets: Icarus & Daedalus: pdf and doc formats (beta ed. Aug 2019) Eutropius' Hannibal (Book III o Apollo broke a branch from it and placed it on his head. Ovid, Metamorphoses 1. 452 ff (trans. Melville) (Roman epic C1st B.C. to C1st A.D.) : Daphne Peneia (Daughter of Peneus) was the first love of great Phoebus [Apollon], a love not lit by chance unwitting, but by Cupido's (Love's) [Eros'] spiteful wrath The Structure of Ovid's Metamorphoses. Book 1 Proemium 1-4 The First Creation * * * Pytho 416-451 The Loves of the Gods * * * Apollo and Daphne 452-567 Io 568-750 Phaethon (beginning) 751-779 Book 2. Phaethon (continuation) 1-400 Callisto 401-530 Apollo and Coronis (The Raven and the Crow) 531-675 Mercury and Battus 676-707 and Aglauros 708.

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Metamorphoses Book Summary, by Ovid Allen Chen

The Latin text / John Dryden's 17th-century Translation / Structure of the Metamorphoses / Ovid's Metamorphoses: An Introduction / The Ovid Project / Apollo and Daphne Reading Questions / Lefkowitz Study Questions. Myths in Art: Classical Mythology in Florence Pollaiuolo's Apollo and Daphne (c 1470-80) is one of the earliest, and remains one of the most famous, depictions of this myth. Apollo's pursuit has ended, he has reached his quarry and is embracing her, as she changes into a laurel. Already her arms have become exuberant bushes, and her feet are rapidly rooting into the ground Metamorphoses Book 15: Hippolytus. Hippolytus explains how he was framed for incestuous seduction by his stepmother, and so he was exiled from his home. On his way to a new land he was driving his chariot near the ocean and a horned bull rose from the water. His frightened horses went crazy, and he was tangled in the reins

Reading Ovid in the Age of #MeToo The New Yorke

Gianlorenzo Bernini (1598-1680) was influenced by a number of contemporary and ancient sources—including Ovid's Metamorphoses—and inspired by the very concept of changing forms. Two examples of the sculptor's early mythological works considered are the Apollo and Daphne, the most comprehensive demonstration of Ovid's influence in theme and concept, and the Neptune and Triton, in which we. Apollo and Daphne. Clipart.com In his Metamorphoses, Ovid tells the story of love affairs like this one that go wrong, resulting in the transformation of a human into (in this case) a tree An Analysis Of Ovid's Metamorphoses. Cupid struck Apollo with his first arrow causing him to fall in love with Daphne. The second arrow was one that struck Daphne; however this arrow counteracted her feelings towards Apollo. She wanted nothing to do with Apollo, so she ran to her father, Peneus Ovid's telling of the famous story of Apollo and Daphne is a good example of this practice (Ovid, Met. 1.452-567). It's easiest to identify the basic egodeath themes when you focus on the broad outlines of the story [My commentary in brackets]: Daphne, a nymph, wanted to remain forever unmarried, forever a virgin [the naive ego-self.

Shakespeare and Ovid’s Metamorphoses | The Shakespeare blogThe Tree by Ezra Pound | Poem Analysis

Readers who came to the Metamorphoses first-hand, meanwhile, met a self-conscious tour de force of poetic ingenuity.Ovid himself coined the term narrabilis, 'narratable', and his epic is always pushing at the boundaries of what can and cannot be told; pushing his way into new methods of unfolding old tales.In its quest to do this, Ovid's narration weaves back and forth through mythic. Callimachean Models for Ovid's 'Apollo-Daphne' After creating the world afresh in the first book of the Métamorphoses, Ovid begins a séries of amatory taies with Daphne and Apollo, prototy-pes for the many lovers who follow. Ovid's mémorable story (l, 452-567) has a straightforward plot: the arrows of Cupid, belittled by Phoebus Tiresias was a mythological blind seer who plays a significant role in Greek tragedy involving the House of Thebes. Shakespeare's comedy Midsummer Night's Dream, Boccaccio's Decameron, Chaucer's Canterbury Tales, the Thousand and One Arabian Nights, and Ovid's Metamorphoses are among the most famous collections of stories in which one story surrounds another Apollo and Daphne is a life-size Baroque marble sculpture by Italian artist Gian Lorenzo Bernini between 1622 and 1625. Housed in the Borghese Gallery in Rome, the work depicts the culmination of the story of Daphne and Phoebe in Ovid's Metamorphosis